A salt less soup
It was yet another mistake by me to have watched this soupy friendship tale disguised in the form of a cult classic. Wonder how to choose a good old Bollywood movie to watch. ‘Pyaasa’ was termed as classic and so was ‘Silsila’ but they both were grounds apart. Even otherwise, it is quite difficult to get into any sort of streamlined process to watch a good Bollywood movie of the past. Every time I expect to get something like ‘Sholay’, I only end up being disappointed. Plus the fact that each of these are going to be for three hours is not helping at all.
‘Namak Haraam’ was about a couple of friends. Firstly the entire film happens in flashback mode but the way it starts with Vikram ‘Vicky’ Maharaj (Amitabh Bachchan) coming out of jail, rightly pointed out by Manisha (Simi Garewal) that he looks like some psychology professor, actually got me curious. It was like sitting in an unknown place on a dog day afternoon and feeling something mysterious, yet pleasant about it. How Amitabh comes out so fresh out of jail as if he was in some therapeutic resort is a question which we’re not supposed to act but the feel of it was nice. But the happiness doesn’t last long.
We see a young Vicky and Somnath ‘Somu’ Chander Singh (Rajesh Khanna) in the flashback mode, who were given built up first by a couple of old men in tea shop bench, about how strong is their friendship. If that was not enough, the introduction scene was made cheesier by Somu’s sister “cutely” asking for pocket money from Vicky, Vicky having sweets from Somu’s mom and what’s worse, Somu appears in the same shirt as Vicky does. Why? I mean why were male friendships of the past projected as if they were gay. Even the playful encounter between Abbas and Vineeth looks weird in “Mustafa Mustafa” song. Wonder what the directors were actually thinking.
The movie treads in the same cheesy line throughout. There were various instances of one supporting another throughout the movie. Even though we know eventually sense was gonna prevail, the time taken was too much. The whole of the first half was just fooling around and when Somu gets to know that Vicky has some trouble by the workers. He disguises himself as a worker so that he could take revenge on the union leader.
If first half was about Vicky getting cheesy, the second half was about Somu and his romance. Absolutely abysmal. Even with his charm, it was really hard to digest that part of the story. With songs and slapstick comedies, it was annoying at best.
Sense prevails finally in the climax but by the time it happens it was too late and the sequence of events happen too sudden, which doesn’t give us any time to absorb. The titular dialogue happens just for name sake towards the end and doesn’t appeal at all. We don’t get any time to sympathize with Somu and be confused for Vicky. Conveniently Vicky’s dad ends up being the villain and gets hated by all.
What could have made the film interesting was instead of Vicky’s dad being projected as an outright villain, he could have shared how his ideology was correct. Even if we couldn’t have sympathized by him, there should have been some points were we could have been put into a confusion. The same confusion could have made Vicky vulnerable and not able to choose which the right path was. Plus when it comes to an emotional war between his dad and his best friend, the situation could have been more hectic for him and interesting for us.
Instead around the end, Vicky’s dad becomes the bad guy, Somu becomes the good guy and by the time Vicky could react, everything gets over. May be filmmakers of the past just want to cash in on the opportunity of the big stars but I could see it as only plain escapism because there were movies in the past which had tried to have some emotional value in addition to just being a dramatic slam bang sort of filmmaking. Hope I don’t end up being disappointed like this for yet another yesteryear Bollywood movie.
constantscribbles 