Love thy violence

In what looks like a marriage between ‘Old Boy’ and ‘Super Deluxe’, this looks like a first proper film in the gore genre for Tamil cinema. Something which ‘Boys’ did to Adult film genre in Tamil cinema. The director, Arun Matheshwaran seems to have a strong liking towards violence and it wasn’t used just as a showbiz tool but as a world which he has created. Even though parts of it would definitely remind you of Korean films, it doesn’t come out as a film where the violence gives you a sadistic high but a definitive scare. May be because it’s the first film where this amount of gore had a native flavor to it.

The posters of the film was done brilliantly with all the characters together, Rocky (Vasanth Ravi), Manimaran (Bharathiraja) and co. It gave a Thevar Magan feel with Bharathiraja sitting in front and Rocky standing behind him with a number of associates. It felt like one whole gang who were fighting together against someone but on watching the film we realize it’s the complete opposite. May be the poster was done so intentionally to give a shock or done with the idea of the past of them. Even without the hidden meanings it was brilliant but after we get to know the story, it only becomes better.

As soon as the movie starts we get to know that it has a world of its own, just like ‘Super Deluxe’. The timelines are quite confusing because the film doesn’t take a traditional angle where the hero ages physically. Going by the angle that Manimaran’s son (Rishikanth) killed Rocky’s mother Malli (Rohini) and Rocky avenged him for that and spends time in jail, there was hardly any change physically of Rocky. It’s a kind of film that a question for that shouldn’t be raised. Just like how someone comes out of blue to try to kill Rocky’s Niece Malli (Anisha). Films like these give confidence to young directors to create whatever they like, without the need to stick by the tradition.

But even in a film which tries to be its own, why do you have to have songs. Especially the song when Rocky meets his sister Amudha (Raveena Ravi) spoils both the sequence before it and post it. It was a beautiful long shot to her room and back to road, giving a chill but thanks to the song we get to breathe a sigh of relief, post that we see Amudha dying in front of Rocky. The song could have easily been avoided to have the emotions swinging from tension to sweetness to horror but guess the director wanted to use the song as a tool for sweetness, which only led to relaxation. In fact it was the only point of relaxation in an otherwise solid tense movie.

Quite contrary to other Hitman movies, this film doesn’t feature bulked up people as goons but rather fragile ones actually. The horror is in their action and not looks. Especially Manimaran’s introduction scene where he explains how he was successful in fishery business was lit. Because till then Thanraj (Ashraf Mallisery) looks comic in his act of going front and back in a road roller but only when it looks like a threat we get to know what a horrific villain he was.

It could have been a terrific climax after all the blood and gore, but Lokesh Kanagaraj single handedly has spoilt the entire generation’s expectations by giving a definition an overdose of gun action in Kaithi. That’s why every other film which has similar climax looks meek. But thankfully, an actor with an otherwise average voice modulation, delivers one hell of a punch in the climax, which gives enough climax to watch the film till end with the glee, “Maman thangai magalaana, Mangai unakaaga, Ulagai vilai pesuvaar”

Comments
  1. […] in the first Avengers movie.) And that was supposed to be heroic. Is this even the guy who made ‘Rocky’. And don’t get me started with the parallels he was trying to show between the two films with […]

    Like

Leave a comment