Black mamba’s by story
It’s one of the movies which tells a multitude of messages and that’s one of the main reasons I was avoiding it. Unfortunately, it won Oscar too so my affinity got even less. Guess the movies which get Oscars, especially in this category seems to be because of the cultural impact it has. The making and the storytelling gets you on grip but its one of the average joes out there. Thankfully it wasn’t as rooted as ’12 years a Slave’ which had absolutely no impact on me. ‘Moonlight’ even though didn’t sweep me of my feet, at least held my attention, thanks especially to the black lingo.
The movie takes place in three parts and the first part is the most curious one. It features Chiron as “Little” (Alex Hibbert) who doesn’t talk but his expressions do most of the talking. For some reason it reminded me of ‘Moonnam Pakkam’ when Chiron’s father figure Juan (Mahershala Ali) teaches him swimming by the beach. Even though they both strike a chord all of the sudden, there was a certain sense of warmth in their relationship. Also, it’s the phase where we get to know why people are bullying him and what his mother actually does. So generally, the revelation part is always interesting. So, the first chapter held my attention than what I thought.
His transformation into teen Chiron (Ashton Sanders) was sudden. Even though I liked the cut. I missed Juan and the suspense of first chapter. But it was made that way intentionally. Loses can happen to anyone and in any form in life and it’s the part where he finds whom he really is. It was all good till the part where he goes to beach. I didn’t like it when he turned gay and became violent. I was seeing it coming all the while. It was the obvious thing to happen so there was no surprise left. May be a little more exploration of his friendship with Teen Kevin (Jharrel Jerome) and his loneliness might have added some credibility to the story.
The third chapter where he grows all macho brought the whole black feeling. Black (Trevante Rhodes) as called by Adult Kevin (André Holland) is now a macho man, caught up in the drug business and her mother is in rehab. All the action happens behind the screen so we don’t see much here. He has become a different man after the violence in his teen age. That’s were a movie like ‘Pariyerum Perumal’ scores. The way he angrily comes and sit in classroom to make a point is stronger than a black man hitting someone. To see him falling into the same trap was depressing. It looked as if its inevitable. At least the making style could have been funny to showcase the same.
Guess that’s were a filmmaker like Spike Lee scores. Even though the message is heavy, all his rage is within. He makes it in a stylish manner which is enjoyable and the jokes are really funny. Imagine a climax like ‘BlacKkKlansman’, even though they lose, they laugh it out. That attitude was admirable. That feeling was missing in ‘Moonlight’. It need not necessarily be funny, but the emotions have to be real. This looked strictly for a specific set of audience and that’s the disappointing factor.