Posts Tagged ‘Lal Jose’

A full on Nivin Pauly entertainer

‘Action Hero Biju’ is a much important cinema than what its perceived to be. All people see in ‘Action Hero Biju’ is fun moments in the life of police. Thanks to Nivin Pauly, there isn’t a moment of boredom in the film. But when you look at it closely. It’s one of the proper police films which deals with only the actions of police. Barring a needless romantic track, the film is an out and out police film. What GVM tried to do showing slices of life in his police trilogy, Abrid Shine achieves it effortlessly in just one film. Something in lieu of Mani Ratnam’s ‘Nayakan’ which achieves the greatness of ‘The Godfather Trilogy’, through just one film.

The film could have been done only by Nivin Pauly, who has this charm to keep calm in any situation. He’s an effortless mass action hero when need be but otherwise, he keeps his calm throughout. Even in dire situations he plays coy and makes fun of people without annoying anyone. In fact, it’s his ‘nakkal’ which works big time for a movie like this. But the movie is not just about how Sub-Inspector Biju (Nivin Pauly) is a superhuman who solves any case. In fact, he’s not super human. He goes about his job like a sincere office goer. There are some cases he can’t solve, there are some cases in which he’s wrong. But all these are chapters in his police diary where he doesn’t have time to react emotionally. Even at places where he’s not emotionally involved, he isn’t emotionally detached too. There is a fine line in between both where a policeman has to deal with, which Nivin Pauly does beautifully. This film could be the greatest tribute to the policeman.

The film is about how Biju handles each case. Initially I thought, that this would end and there would be one important case he’d be involved for the rest of the film, there would be some twist etc. but it never happens. At end of first half I again thought the same when Karate Rajesh track was introduced. Because the film opened with that track, I thought the first half would be reserved for fun and second half for serious story. On one side I was expecting the same and on other I didn’t want it to be a negative film at any cost because the first half was most lovable.

There were a variety of aspects dealt in the first half. Apart from the obvious serious as well as not so serious cases. The dog bite of a kid looks like not so serious case when heard from the phone but he takes down the details and pays a visit to the hospital to see how bad her condition is. We then get to know the seriousness. As the film starts with that story and the villain looked like a serious offender with political connections. That looked like the main story of the film. But that ends there. Some cases are as silly as a man flashing his penis on screen and some as serious as death of a kid. He had to hold his composure everywhere.

Even the suicide case where the kid dies, he worries about her mother getting jail term for attempt murder and the naval officer angle was the icing on the cake of an already well-made story. If auto driver and his affair’s case is about fun, the Pavithran (Suraj Venjaramoodu) – wife is case is about hear break. In fact, that’s the most heartbreaking scene of the movie. The fact that the director is able to achieve such high emotions in so little time is something to be appreciated of.

The case where the ladies approach him for complaining against a man who bathes almost nude in their compound is the case where we see Nivin Pauly in full flair. Such a charmer. And the final case where he had to deal with a robbery shows that how not everything would happen as per his plan. Sometimes law can be cruel even if correct. So, when he gets to find out Karate Rajesh after that, he vents out all his anger on him. May be a reason he could stand the stab. May be even the romance is so little yet not completely taken out of the equation because a police officer gets only that much time to spend for his family or may be the film wanted to show that a police officer is romantic in spite of his schedule because he too is a human or maybe it’s plain old-fashioned way to introduce songs in the film.

The film plainly is an amalgamation of short films. Each case is a chapter in police officers’ life but it doesn’t feel like a story where the cases are listed but feels like how it’d feel in a first person. He’s of course a hero, he doesn’t receive any threat anytime whatsoever but he’s a hero who has limitations. And the way we feel how a police personal feels in first person is because of the fact of certain fun stories like the walkie talkie incident and how even when the police who lost it comes to them and tells a sentimental dialogue for which they ridicule. It all feels like a good old office humor, which no movies have showed till date. Thanks to Nivin Pauly who effortlessly walks us through the life of police inspector so seamlessly, making the film is such a work of art.

Too many cooks spoil the broth

A film that runs high on ambition and looks to have a novel idea implemented. Whether it’s necessary or not is a question that needs to be asked for. There were a large section of people who had problem with ‘Dasavatharam’ because of the very same reason. It looked like a story written so that the film can accommodate ten Kamal’s, but what it did right was it accommodated ten Kamal’s properly. Whereas in ‘Michael Madhana Kamarajan’ it’s a story which got accentuated because there were four Kamal’s. It would have worked even if four different actors had worked. However, to me, both the films served its purpose. Did ‘Kerala Café’ serve its purpose, is a question to be asked for.

Nostalgia

Well, really a nothing film which was so plasticky and mundane. Worse than the excuse which Johnykutty (Dileep) utters every now and then. Nothing really works here and the climax dialogue where Sheela (Navya Nair) says its nostalgia and the title card appearing then was just lame.

Island Express

There was hope because it had Prithviraj in it. However, as a non-Malayalee who is used to seeing only his great movies, this feature was so bad, be it the getup, dialogue delivery or even the story, which hardly settles in. This part actually makes us feel whether he could do this bad a role.

Lalitham Hiranmayam

Another horrible story and horrible acting, which felt childish. Never have I liked Suresh Gopi’s acting but this story took it to a level above. In addition, the story did not really work at all. For a wife and mistress story, it needs Dostoevsky level of artistry but it ends up being a TR level film.

Mrityunjayam

‘Mrityunjayam’ has a pretty plastic acting to start with and a premise, which would at least give short time chills but ends up doing nothing apart from showing bad graphics. Another loser.

Happy Journey

A reasonable story with some pretty solid acting by Nithya Menon. But, again, the production value was bad and the film looked very amateurish. May be it’d be a good film for a ‘Nalaya Iyakunar’ level of filmmaking but as a feature film with pro actors, it’s not up to the mark.

Aviraamam

It is a story of a businessman Ravi (Siddique) who’s on verse of suicide because of his debts. Although that part of the film does not work, Devi’s (Shwetha Menon) glam act evokes some interest in the film. If Siddique too had acted better, the chemistry would have been wonderful.

Off-season

An over the top story with over the top acting by Suraj Venjarammood. This could be a good story to read in a paper you get while you have Bajji from teashop but nothing more than that. Neither the jokes work, nor the setting.

Bridge

By far the best story and the only story with conviction. Even that did not have great acting but the setting and the way two story mingles with each other in such short span of time is something to be appreciated of. Even when the film ends and all the characters go out of Kerala Café, it is the granny and the kitten sitting who sit outside of it, evoke sympathy from us.

Makal

It is another mundane story, which works reasonably well thanks to its nativity. The climax was guessable, even though bad, it gave a little respite because it had a twist. If not for it, the impact would have been even lesser.

Puram Kazchakal

A story, which could have been better if it had been given some time but Mammootty does a fabulous job in keeping us, interested. If it had been made a full-length feature like ‘Munnariyippu’ may be the story would have got more time to evolve. Anyways the last three stories makes for not so bad ending to the anthology.