Movie Review – Vikram Vedha

Posted: August 8, 2017 in Movie Reviews
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Devil’s Advocate

Nanna nanna nanna naa, nanna nanna nanna naa. If you know what I mean. I’m still humming the song. I’ve been humming the sequence ever since I came out of the theatre, such was its impact. When I thought that no movie could touch Bahubali’s experience this year, this movie broke it. Between the two may be Bahubali might win it for its simplicity but Vikram Vedha is nowhere next to it. But because of few complication, the awesomeness gets a bit less. It’s not all happy faces who come out of the theatre.

Vikram Vedha.jpg

I didn’t think that this movie would be half as awesome as what I experienced. The best part about the directors were, they didn’t try too much to say hidden stories using the title Vikram Vedha. The opening animation out rightly tells that there is going to be a Vikram, there is going to be a Vedhalam. And all the Vikram Vedhalam stories were superbly etched. All the escapades of Vijay Sethupathi were from emotional angle rather than dumb heroism. The first time Madhavan gets into the story for a second, then a minute and then almost till Vedha knocks him out and only in the final scene he does get hold of Vedha in complete confidence. That was the scene where both were in there full powers.

I was thinking this to be another movie like Managaram where they both unite to fight. There is some pleasure when the heroes who fought with each other unite. I thought this is going to be in the lines of that after Agni Natchathiram and Managaram. The last few minutes where they unite and fight were awesome. But the directors took it one notch higher by making it a Mexican standoff. And it was a true Mexican standoff unlike something made just the sake of it.

My favorite part of the movie would be the husband and wife angle of Madhavan and Shraddha Srinath. The independent nature of modern woman and men’s nature of men were superbly done. Much better than what Katru Veliyidai tried to achieve. It was so subtle and sexy. I think Pushkar and Gayathri put all their personal life experience to get a superb matured angle of this relationship. The fact the Shraddha was given a slutty look added to the sexiness of the relationship. Much like how Madhavan does, she’s the kind of girl one wishes to hug tight after a tough fight, what she’d be liking too.

Vijay Sethupathi wins here hands down, this movie is written for Vijay Sethupathi. Madhavan of course does a brilliant job but most of the mass scenes were for Vijay Sethupathi. Also he adds his signature humor to the scenes and makes it even more appreciable. More than all these it’s his subtleness which works brilliantly. In the first interrogation scene he discusses with Madhavan about number of killings he had done. When Madhavan says that he is the lead including the last encounter. Look how he lets out so many emotions. His first emotion is the sadness that his brother was killed, second is he had thought it was Simon who had executed and third, more than the anger it’s disappointment that he has towards Vikram because he hadn’t thought that Vikram would kill an innocent. Even the scene where he escapes from Simon is superbly made. His chemistry generally rocks with his co starts, more than the heroines. The walk after being pushed out of the car tells you all the stories. It feels so good to see an actor who knows what needs to be done. Madhavan gets his due in the Bullet scene. That was built up superbly too, right from the first, giving us a glimpse of Irudhi Sutru feel.

Coming to technical aspect of the film. Music, needless to say was awesome, both in BGM and songs. Picturization too rocked. That Giftu scene where we hear the BGM emerge as song was one of the massest moment of the movie. But special mention has to be given to editing, it was great idea to use top angle shots of the housing board flats to edit scenes, looked like maps of Project IGI. So many movies have been shot in North Madras but nothing used that angle. That gave the necessary classy feel to the movie, much like Departed.

It feels so good to see Pushkar and Gayathri getting their due. For they were the ones who indeed started the Tamil New Wave with Oram Po and Va Quarter Cutting. But it took all these years for them to give such a big hit. It’s no way a film made out of compromise. It’s an intelligent film made in an interesting way. Thinking back its actually confusing who killed whom, which generally doesn’t happen in Tamil cinema. Even if it happens it would be due to loopholes but not due to intelligence. That would be their biggest success of all.

Special Mention: Nalli Curry

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